The book ‘Geen woorden maar beelden, 25 jaar Galerie Atelier Herenplaats, Outsider Art in Nederland’ is also available in English. In almost 300 pages filled with wonderful images and texts, it describes the journey of Herenplaats. It is an art academy for mentally and physically challengend artists, where I enjoy teaching linocutting and etching.
The bookpresentation was held on 29 June 2017 at the Kunsthal in Rotterdam. Watch the crowdfunding clip for more details or visit the studios and exhibitions at Galerie Atelier Herenplaats. Schietbaanstraat 1, 3014 ZT Rotterdam.
My etchings are on show at the exhibition Hogedrukgebied at Galerie Atelier Herenplaats; extented till 16 January 2017. Watch this crowdfunding video for the HPL 25 book and find out more about the fine art department where I work with mentally challenged artists.
Last year the Open Studio Route Benoordenhout was a success, with 130 visitors in my studio at the parc. This year it’s scheduled for 20 and 21 May 2017, from 12.00 till 17.00 at Oosterbeek 2c, 2597 VJ, Den Haag.
Galerie Atelier Herenplaats exhibits etchings and linocuts
made by their mentally challenged artists (some under my supervision),
Punt 5 (children) and Willem de Kooning (art academy students).
They also show some of my previous work and recent work.
From 7 October till 28 November 2016>extended till 16 January 2017.
Schietbaanstraat 1, 3014 Z, Rotterdam
The exhibition is part of Fine Arts Month 2016, visit their site for the other locations.
On July 7th 1865, 150 years ago, Jane Morris’ image was caught on wet-collodion glass plates by John Robert Parsons, following Rossetti’s instructions. I always like to celebrate important events in Jane Morris’ life so I treated myself to a workshop ‘non-toxic polymere etching’ by Petra Tolboom at the Grafische Werkplaats in Den Haag.
First step is laminating a copper plate with light sensitive photopolymer, exposing it with a transparent positive and allowing it to harden under UV light.
Second step is inking the plate with water based ink and printing it on an etching press.
My prints are now being dried pressed using heavy William Morris and Rossetti books. When they are flat I will use them as a starting point; combining photography, etching and drawing. The newly learned technique offers a huge variety of possibilities and I very much look forward to learn more about non-toxic printing.