On July 7th 1865, 150 years ago, Jane Morris’ image was caught on wet-collodion glass plates by John Robert Parsons, following Rossetti’s instructions. I always like to celebrate important events in Jane Morris’ life so I treated myself to a workshop ‘non-toxic polymere etching’ by Petra Tolboom at the Grafische Werkplaats in Den Haag.
First step is laminating a copper plate with light sensitive photopolymer, exposing it with a transparent positive and allowing it to harden under UV light.
My prints are now being dried pressed using heavy William Morris and Rossetti books. When they are flat I will use them as a starting point; combining photography, etching and drawing. The newly learned technique offers a huge variety of possibilities and I very much look forward to learn more about non-toxic printing.