Printing studio Grafische Werkplaats in Den Haag organised the workshop Toyobo etching by Eric de Vries. I learned how to transfer a drawing onto a light sensitive polymere plate using water and UV light.
On top of a black and white photo of Jane Morris I superimposed a colour portrait of me, taken by Liselotte Fleur for the editorial about my work in Lone Wolf magazine.
Commemorating Jane Morris’ birthday as she was born on 19 October 1839, I posted this collage on my (recently started) Instagram and Facebook accounts. Doublechecking the date I suddenly realised there was another photograph of Jane Morris from the same series.
I might have always overlooked the image on the left as I was so smitten by the image in which Jane sits upright, full of self confience. Don’t you agree how this slight tilt of the head so drastically influences the way we perceive Jane?
A few weeks ago I stumbled upon another photograph of Jane I never saw before (left), even though Stephanie Graham Piña featured it on her website Lizzie Siddal several years ago! The image on the right is featured in the ‘Album of Portraits of Mrs. William Morris (Jane Burden) Posed by Rossetti, 1865’. The Album is in the Victoria & Albert Museum and I highly recommend making an appointment to view the famous photographs of Jane Morris in person!
This week I have been creating booklets by choosing a cover for 2 journals. I used 1 ink drawing and 1 contemporary photograph, including Jane Morris’ autograph. You can fill the 60 blank pages yourself or give the journal away as a present.